Review 4 of 5
Price Paid:
$420.00
from Ritz Camera Summary: I had read several very mixed reviews of this lens but then I realized that several of the most negative people were comparing it to the Canon “L” class 28-300 EF IS (priced at $2,500.00). Oh get serious, this is a $400 lens! So my comments here reflect a comparison between this lens, a $200 Tamron 70-300mm and a Canon 75-300mm (Non IS).
This is almost the lightest lens I own (I have one tiny 50mm prime that is lighter) but it still feels very solid and well constructed. When set to 28mm the lens is also physically very small though as you zoom out to 300mm you begin to feel a little silly about how far the lens extends. It carries very nicely thanks to a lock switch that will keep the lens at 28mm. The zoom is smooth and had just the right feeling of resistance to me. The focus is decently quick and not especially loud. It won’t win any speed awards but it is faster and significantly quieter than my old Tamron 70-300.
It has an internal focus so the front element of the lens doesn’t rotate (filter friendly) however the focus ring DOES turn. I kept touching the edge of the focus ring with my fingers at first and had to train myself to move my grip down further.
Overall I would call this lens “slightly soft”. It isn’t terrible though I think serious photographers will start to frown if the images were blown up much past 8x10. Again I comment that it’s a $400 lens, not “L” class glass.
At it’s best it is a little better than either my older Tamron 70-300 or the Canon 75-300. At it’s worst it is pretty much equal to either of those lenses. This lens hits it’s stride at f6.7 and up. However mine has a couple of odd spots (exactly at 28mm and 100mm) where it just stays soft no matter what I do.
With f6.3 at the long end you will probably never get a good handheld shot at 250mm and up unless it is VERY bright outside.
So why do I rate this lens so highly? Overall capability.
I had a big protest coming up that I needed to photograph and due to the nature of the event I was going to need to pack light and be able to move fast. This lens on a Canon 10D gave me the full range I needed without ever pausing to change glass. Not changing lenses kept out the dirt/dust/grit thrown up by 15,000 protesters walking around (you would be AMAZED at how much crud that throws up into the air). Using only one lens and one body was very light and greatly reduced fatigue on this all day shoot. And finally, the light conditions were terrible! Even with overcast conditions and high ISO on the camera I still got good shots throughout the day.
In summary, if you are looking for a studio portrait or fine-art lens, this is NOT it, you won’t be happy with the sharpness. However if you need something light and adaptable with an enormous range of coverage that won’t break the bank (photojournalists, tourists, etc) you simply can’t go wrong for the price. Strengths: -Light
-Compact
-Feels Solid
-Avoid lens swaps
-Great for photojournalists and tourists Weaknesses: -Slightly soft overall, especially at 28mm and 100mm. Not the best lens for portraits and studio fine art shots.
-Very slow at the long end (f6.3) no handheld 300mm shots with this one!
-Doesn't seem to quite reach 300mm, more like 280mm. Similar Products Used: -Tamron 572D 70-300mm
-Canon 75-300mm (Non IS)
-Canon 70-200 f/4 L Customer Service: none needed
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